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Schöne Bilder + Review von der Premiere des Banksy-Films in LA: „Last night I had the opportunity to see the U.S. premiere of the new Banksy film Exit Through The Gift Shop and I have to say that I loved it.“
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Banksy: The film is the end of my public life rather than the beginning. This is the most you’ll ever see of me, if I can help it.
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These beautiful "tree speakers" were handmade from 14" pieces of an Elm tree infected with Dutch Elm disease. The tree was removed from the Brown University campus in 2004. It now lives on in the form of two DIY speakers.
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Best. Mobile. Ever. „My new mobile phone: iPad + Skype + Moshi Moshi 01H handset.“
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Christopher Walken buckled his seat belt as the Suburban with tinted windows sped up on the Queensborough Bridge. He was wearing a blue overcoat and a cashmere scarf over a black T-shirt and black pants. “When you came across this bridge, you could smell bread, twenty-four hours a day,” he said. “From the Silvercup bakery—now it’s Silvercup Studios, where they made ‘The Sopranos.’ ”
It was noon on a recent sunny Thursday, and Walken was heading to Astoria, where he was born and brought up.
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'Thee Backslacpkping With Media' is an investigation into the recorded perception of the Star Wars Phenomenon in the 4 month time period around the release of the final theatrical Star Wars movie, 'Revenge of the Sith'.
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Photographs do more than document history — they make it. At TED University, Jonathan Klein of Getty Images shows some of the most iconic, and talks about what happens when a generation sees an image so powerful it can't look away — or back.
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Sex and math may not be the most obvious pairing, but Edward Frenkel knows otherwise. The 41-year-old mathematician and professor at the University of California, Berkeley, sacrificed his clothes and €100,000 to show the world the beauty of mathematics. The result, shot in three days, is the 26-minute-long erotic film Rites of Love and Math, which premieres this week in Paris.
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Das geltende Urheberrechtsregime reibt sich zunehmend an der digitalen Alltagswirklichkeit. Während es ursprünglich als ein auf den "genialen" Schöpfer zugeschnittenes Schutzrecht gegen Missbrauch konzipiert war, verstoßen wir, ob gewollt oder unbeabsichtigt, täglich gegen bestehendes Recht. Verlustfreies Kopieren gilt den einen als Zugewinn an Freiheit, den anderen als Einschränkung von künstlerischer Verfügungsgewalt und drohender Einnahmenverlust. Ein Ende der "Copyright Wars" erfordert ein politisches und rechtstheoretisches Neudenken.
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