szmtag

eBook-DRM changes Text

Großartige Idee von den Buchverlagen und dem Fraunhofer Institut – in meiner Heimat Darmstadt, ahem –, die ein DRM entwickelt haben, dass eBooks mit Wasserzeichen versieht, in dem durch Umstellung von Worten und Umformulierungen einmalige Kopien erstellt werden. Hier ein PDF mit Änderungs-Beispielen, hier das PDF auf Scribd. Großartig ist die Idee deshalb, weil (falls sich das Ding durchsetzen sollte) die Kunden dann gezwungen werden, die Scans der Buchpiraten zu lesen – oder eben die Totholzkopien –, um die Originaltexte zu erhalten. Daher: Prima Idee, Buchhandel! Sharing is caring!

A new form of DRM developed in Germany alters words, punctuation and other text elements so that every consumer receives a unique version of an eBook. By examining these “text watermarks”, copies that end up on the Internet can be traced back to the people who bought and allegedly pirated them. The project is a collaboration between researchers, the book industry and the Government and aims to be a consumer-friendly form of DRM.

Das DRM hat übrigens den nur scheinbar einfallsreichen Namen SiDiM und das steht für das bemerkenswert lahmarschige und dröge „Sichere Dokumente durch individuelle Markierung“.

Torrentfreak: New DRM Changes Text of eBooks to Catch Pirates
Lesen.net: DRM der Zukunft: Individualisierte E-Books. Ernsthaft?

Gitmobooks (2): Guantanamo Prison Library Books

Im April hatte ich über Charlie Savages Tumblelog Gitmobooks über die Bücherei in Guantanamo gebloggt, der Mann ist Korrespondent der New York Times dort. Jetzt hat er in der NYT seinen Artikel dazu veröffentlicht:

The prison library here is housed in a prefabricated building behind chain-link fencing and razor wire inside Camp Delta, an older, largely disused wing of the complex. Inside, the place has the feel of a branch library, with several rooms of books divided by language and genre — but its patrons may not browse the stacks. Instead, the chief librarian, a civilian who asks to be identified as “Milton” for security reasons, or an aide fills plastic bins with about 50 books and takes them to each cellblock once a week. If they obey prison rules, the 166 detainees may peer at the spines through the slots in their doors and check out two titles at a time, or make specific requests.

The library has about 18,000 books — roughly 9,000 titles — the bulk of which are in Arabic, along with a smaller selection of periodicals, DVDs and video games. Religious books are the most popular, Milton said, but there is also a well-thumbed collection of Western fare — from Arabic translations of books like “News of a Kidnapping,” by Gabriel García Márquez, and “The Kiss,” by Danielle Steel, to a sizable English-language room, which boasts familiar titles like the “Harry Potter” and “Lord of the Rings” series, “Watership Down” and the “Odyssey.” Some detainees arrived knowing English, while a few others have learned over time. Most have now been held without trial for over a decade.

Invisible Men (via Boing Boing)

Vorher auf Nerdcore:
Gitmobooks: Blog about Guantanamo Prison Library Books

1984-Sales are thru the Roof…

Toller Nebeneffekt der ganzen PRISM-Story: Die Verkäufe von George Orwells Nineteen Eighty-four gehen durch die Decke, in der Movers & Shakers-Liste von Amazon steht eine Ausgabe grade mit einem Umsatzzuwachs von 6888%! Nice! (via Daniel)

Walls Of Freedom: Book about Streetart in Egypt

 Vimeo Direktwalls

Don schreibt mir: „Der Berliner Verlag From Here To Fame macht gerade eine Indiegogo Kampagne für das Buchprojekt Walls of Freedom.

Walls of Freedom dokumentiert die Kunstwerke, die ägyptische Street Artists in den letzten drei Jahren auf ihren Straßen hinterlassen haben. In diesem Buch geht es aber nicht nur um Kunst, sondern auch um die ganze Geschichte der Revolution bis heute, die anhand der Graffitis erzählt wird. Wir arbeiten an diesem Projekt seit 1½ Jahren zusammen mit 50 Photographen, 30 Künstlern und 20 Autoren.“

‘Walls of Freedom’ is a powerful portrayal of the Egyptian Revolution, telling the story with striking images of art that turned Egypt’s walls into a visual testimony of bravery and resistance. It takes a closer look at the most influential artists who have made their iconic marks on the streets.

This survey of Egyptian street art is also enriched by images of the revolution taken by acclaimed photographers and activists. Spanning major Egyptian cities like Cairo, Alexandria and Luxor it is a day-to-day reflection of the volatile and fast-shifting political situation. With contributions by experts in many fields, ‘Walls of Freedom’ not only places the graffiti of the revolution in a broader context, it also examines the historical, socio-political and cultural backgrounds which have shaped the movement.

Walls of Freedom: The definitive book on Street Art of the Egyptian Revolution

Iain Banks R.I.P.

Iain Banks ist heute im Alter von nur 59 Jahren an Gallenblasenkrebs gestorben. Im April erst hatte er bekanntgegeben, dass er von einer Lebenserwartung von höchstens einem Jahr ausgeht. Seit damals habe ich seine Wasp Factory gelesen und habe vor ein paar Wochen mit Consider Phlebas begonnen, dem ersten Band seines Culture-Zyklus. Banks hatte nach seiner Krebs-Diagnose mit der Arbeit an einem neuen Buch begonnen, in dem er sich mit der Krankheit auseinandersetzt. The Quarry erscheint in wenigen Tagen am 20. Juni. RIP Iain. Damn.

In one passage revealed in The Sunday Times, Kit says: “I know Guy’s cancer is not contagious. You can’t catch it off him. That’s the thing about cancer. It’s all yours — it’s entirely, perfectly personalised.

“The cause might have come from outside, like carcinogens in tobacco smoke, but that just triggered the reaction in your cells. In that sense the fatal cancer is an unwilled suicide where, initially at least, one small part of the body has taken a decision which will lead to the death of the rest. Cancer feels like betrayal.”

BBC: Iain Banks dies of cancer aged 59
BBC: Author Iain Banks: In his own words
Telegraph: Iain Banks reveals brutal impact of cancer in final book

Computer Rooms of 8Bit-Wizards

Goto80 (hier auf Twitter) – der unter anderem zusammen mit Raquel Meyers auch das ganz hervorragende Tumblelog Text-Mode betreibt – hat mir ein Preview seines Computer Rooms-Buchs geschickt, ein Band voller Fotos von den Arbeitszimmern von 8Bit-Bastlern und Circuit-Bendern, den man hier für nichtmal ‘nen Zehner bestellen kann. Das Teil hatte sich vor ein paar Wochen bereits den Nika Award von den F.A.T.-Labs abgeholt. Sowas hätte ich jetzt gerne bitte mit den Computer-Zimmern von den Crackern und Tradern aus der 80er-Jahre-C64-Szene.

This is what computer culture really looks like. A collection of photos that show the messy reality behind the shiny online facade. Where we make our living and spend our free time. And try to be creative. Or even maybe worse.

Very few people get to see these spaces. It’s not the kind of place we take photos of, or show to visitors. Maybe we don’t even see it ourselves. It’s a sort of secluded area hidden in plain sight, full of secrets, now on this display in this book. This kind of places lead to political actions, fantastic music, art, new friends, inventions, love and so much more. This is IRL!

Computer Rooms from Goto80

Bonustrack: Goto80s tolle Animation Dansa In, ein 44kB-Demo auf’m C64 für das UCLA Game Art Festival:

 Youtube Direktgoto80

A story with pirates, sloths and sex told completely in text graphics and chipmusic. A blocky and brutal visual aesthetic synchronized with explosives, drunken funk and computer screams. All made in 44 kilobytes, to be executed by a Commodore 64 and its colourful ASCII-alternative called PETSCII. Shown at UCLA Game Art Festival, competed at the Datastorm demoparty and is available as C64 executable here.

The Big Book of Vintage Magic

Im wahrsten Sinne des Wortes fantastisches neues Buch vom Taschen Verlag über Vintage Zauberer und ihre Poster. Werde ich mir sowas von zulegen müssen, ich hab’ schließlich nicht umsonst vor drölf Jahren bereits ein Flickr-Set mit über 100 alten Magic-Postern online gestellt.

Seit Jahrtausenden sind die Menschen von der Magie fasziniert, und seit jeher lehrt die Zauberei sie das Fürchten und Lachen, das Zittern und Staunen. Die einst als Häretiker und Hexenmeister verfolgten Zauberer verkörperten schon immer die Verbindung zu einer Parallelwelt, in der praktisch nichts unmöglich war – ob sie nun Geister beschworen, Gedanken lasen oder mit Taschenspielertricks die Gesetze der Natur auf den Kopf stellten. Als Science-Fiction, Virtuelle Realität, Computerspiele und das Internet noch in ferner Zukunft lagen, gab es keine mächtigere Fantasiewelt als die der Zauberkunst. Könige rauften sich die Haare, Baronessen fielen in Ohnmacht und das gemeine Saalpublikum fand sich reduziert auf „Ah!“ und „Oh!“, wenn die wahren Väter der special effects ihre Künste präsentierten.

Anhand von mehr als 1000 seltenen Plakaten, Fotografien, Werbezetteln, Stichen sowie Gemälden von Hieronymus Bosch, Caravaggio und anderen Künstlern zeichnet Magic die Geschichte der Zauberkunst von 1400 bis in die 1950er Jahre nach. Spektakuläre Abbildungen und fachkundige Essays beleuchten die Entwicklung des Zauberhandwerks von den Straßenkünstlern des Mittelalters bis hin zu jenen Großmeistern der theatralischen Inszenierung, die dem frühen Film zu seinen ersten Spezialeffekten verhalfen, vom goldenen Zeitalter der Zauberkunst im 19. Jahrhundert bis zu den Vaudeville-Künstlern des 20. Jahrhunderts und wegweisenden Draufgängern vom Schlage eines Houdini.

Taschen Verlag: Illusionen, Zauberei und Wunder – Die größten Magier der Welt vom Mittelalter bis in die 1950er

Amazon-Partnerlink: The Big Book of Magic

Vorher auf Nerdcore:
Vintage Magic and Circus-Stuff
Inside the Magicians Library
Vintage Magic-Posters
Vintage Spookshow-Flyer
Vintage Magic- und Hypnotist-Poster
Vintage Magier-Poster und Geister-Fotografie

Stanislaw Lems Summa Technologiae in English for the first time in 50 Years

I know there are some people from english speaking countries reading this thing here and this is a recommendation that really comes from my heart. Stanislaw Lems Summa Technologiae is available in English for the first time since (nearly) 50 Years! I read this monster more than twenty years ago, then again and then again and it totally blew my mind, every single time – actually it is one of the reasons, why this blog is what it is.

Imagine scientific Futurism combined with Electronics, Engineering and that Lemian Weirdness, that only he could achieve. Kevin Kelly on Steroids right from the dawn of the space age. Read this, it’s totally and highly recommended. Yes, it is indeed that good.

With Summa Technologiae, his masterwork of non-fiction which has been translated into English for the first time, Lem has taken Western civilisation for a spin – with spectacular consequences. The book will be a fabulous shock to those who know only his science fiction, such as Solaris or The Cyberiad. Others will have caught tantalising glimpses of Summa, published in 1964, in a few essays. Diehards may even have read it in translation, notably German or Russian. […]

Summa is not for the faint-hearted. Starting with a title that pastiches Thomas Aquinas’s 13th-century Summa Theologiae, Lem sets out to replace god with reason. Zylinska’s introduction lays out the map. Is the phenomenon that is humanity typical or exceptional in the universe? Does plagiarising nature count as fraud? Do we need consciousness for human agency? Should we trust our thoughts or perceptions? Are we controlling technology – or vice versa?

It is amazing how much Lem got right, or even predicted. This ranges across artificial intelligence, the theory of search engines (he called it “ariadnology”), bionics, virtual reality (“phantomatics”), technological singularity and nanotechnology.

American Scientist: A brilliant trip back to the technological future – Stanislaw Lem’s forgotten masterwork Summa Technologiae, now in English half a century after publication, is a heady mix of prescience, philosophy and irony

Amazon.com: Summa Technologiae (Electronic Mediations)

Hacking Politics:

„How geeks, progressives, the tea party, gamers, anarchists and suits teamed up to defeat sopa and save the internet.“

Holy Shit: A Brief History of Swearing

Ich liege grade so ein bisschen krank im Bett – Grippe und gleichzeitig Zug an den Nieren (Aua!) –, da musste ich mir natürlich ein neues Buch auf mein Kindle laden, weil ich ja nichts zum Lesen habe. Wie auch immer: Melissa Mohrs Holy Sh*t: A Brief History of Swearing klingt auch ohne Grippe nach einem Must Read:

Holy Sh*t tells the story of two kinds of swearing–obscenities and oaths–from ancient Rome and the Bible to today. With humor and insight, Melissa Mohr takes readers on a journey to discover how “swearing” has come to include both testifying with your hand on the Bible and calling someone a *#$&!* when they cut you off on the highway. She explores obscenities in ancient Rome–which were remarkably similar to our own–and unearths the history of religious oaths in the Middle Ages, when swearing (or not swearing) an oath was often a matter of life and death.

Salon hat einen längeren Auszug daraus, hier die Geschichte des ersten dokumentierten Fucks:

Let’s take fuck, for example. Around 1790, a Virginia judge named George Tucker wrote a poem in which a father argues with his son the scholar, “‘G—d— your books!’ the testy father said, / ‘I’d not give ——— for all you’ve read.’” According to Jesse Sheidlower and Geoffrey Hughes, the third ——— is replacing “a fuck,” producing the first recorded example of the modern teenage mantra, “I don’t give a fuck.” This poem didn’t see the light of day until a scholarly edition of Tucker’s work in 1977. Tucker’s great-granddaughter published some of his poems in 1895, but she somehow didn’t see her way to including this one. By 1879, the evidence is less equivocal. A character in the mock Christmas pantomime “Harlequin Prince Cherrytop and the Good Fairy Fairfuck” (1879) declares, “For all your threats I don’t care a fuck. / I’ll never leave my princely darling duck.” (The panto relates the story of Prince Cherrytop, who has become enslaved by the Demon of Masturbation. The Good Fairy Fairfuck helps him conquer his addiction to self-abuse, so he can embrace the joys of holy matrimony with his betrothed, the Princess Shovituppa. It was written by an eminent journalist for the Daily Telegraph, whose work had also been published by Dickens and Thackeray.)

In 1866, a man swore in an affidavit that one Mr. Baker had told him he “would be fucked out of his money by Mr. Brown.” The notary who recorded the testimony editorializes, “Before putting down the word as used by the witness, I requested him to reflect upon the language he attributed to Mr. Baker, and not to impute to him an outrage upon all that was decent.” Luckily for us, the witness insisted he copy it down, outrage or no, and so we have the first recorded use of fuck meaning “cheat, victimize, betray.”

The modern history of swearing: Where all the dirtiest words come from

Amazon-Partnerlink: Holy Sh*t: A Brief History of Swearing

Story Bunde: Gaming-eBooks for Pay-What-You-Want

Die neueste Ausgabe des Story-Bundles ist da, sowas wie das Humble Bundle für eBooks. Diesmal mit insgesamt 10 Büchern und Mags rund um Gaming, unter anderem zwei Ausgaben des tollen Kill Screen-Magazins und Brendan Keoghs fantastischer Egoshooter-Studie Killing is harmless.

Our latest brand-new DRM-free ebook bundle, The Video Game Bundle, curated by Independent Games Festival chairman emeritus and game industry veteran Simon Carless, is out now. This incredible bundle includes ten fascinating game culture and history books/magazines from Prince Of Persia’s Jordan Mechner, video game pioneer Ralph Baer, and many more. All these books together are worth more than $100!

The initial titles in the Video Game StoryBundle (minimum $3 to purchase, and worth more than $50 when bought separately) are:

- The Making of Karateka by Jordan Mechner
- Generation Xbox: How Videogames Invaded Hollywood by Jamie Russell
- Kill Screen Magazine Issue 2: Back To School + Issue 6: Change by Kill Screen Editors
- Constellation Games by Leonard Richardson
- Killing is Harmless: A Critical Reading of Spec Ops: The Line by Brendan Keogh
- Confessions of the Game Doctor by Bill Kunkel

If you pay more than the bonus price of just $10, you get all seven of the regular tomes, plus three unmissable extra full-length books (bringing the total bundle value to $100):

- Videogames: In The Beginning by Ralph H. Baer
- The Making Of Prince Of Persia by Jordan Mechner
- 250 Indie Games You Must Play by Mike Rose

THE VIDEO GAME BUNDLE SHOWCASES 10 ACCLAIMED BOOKS ON CULTURE AND HISTORY OF GAMING

Book-Trailer: The New Digital Age Animated

 Youtube Direktdigital, via io9

Ich weiß nicht, ob man sich Eric Schmidts und Jared Cohens Buch The New Digital Age wirklich durchlesen muss, für Menschen, die jetzt nicht erst seit gestern online rummachen, dürfte da nur sehr wenig neues drinstehen. Aber zugegeben: Der „Trailer“ – ich weiß nicht, ob man einen animierten, 13minütigen Vortrag wirklich noch Trailer nennen kann – zum Buch oben bedient bei mir hundertzweiundvierzig Trigger gleichzeitig, wobei die Stimme aus einem B-Movie-Trailer das Teil nicht grade seriöser erscheinen lässt.

Beastie Boys, the Book

Mike D und Ad Rock haben einen Vertrag für eine Beastie Boys-Biographie unterschrieben, das Teil soll im Herbst 2015 erscheinen und sich stilistisch am Werk der Beasties orientieren.

The Beastie Boys are “interested in challenging the form and making the book a multidimensional experience,” Ms. Grau said in an interview. “There is a kaleidoscopic frame of reference, and it asks a reader to keep up.”

The book, to be edited by the hip-hop journalist Sacha Jenkins, will be loosely structured as an oral history. It will also have contributions by other writers, as well as a strong visual component. Ms. Grau and Luke Janklow, the group’s agent, both compared it to Grand Royal, the Beastie Boys’ acclaimed but short-lived magazine in the 1990s, which explored some of its wide-ranging pop-culture interests with curiosity and snark.

Beastie Boys Sign a Memoir Deal

Gitmobooks: Blog about Guantanamo Prison Library Books

Charlie Savage schreibt für die New York Times über Guantanamo, als „Nebenprodukt“ seiner Arbeit hat er nun das Fotoblog Gitmobooks über die Gefängnisbibliothek und die Bücher dort angelegt: Captain America, Harry Potter und The Anxiety & Phobia Workbook.

As part of Savage’s reporting on Gitmo, he has also created a photo blog that gives us insight into the prison library and its odd collection of books. The library offers prisoners access to Captain America comics (that must go over well with enemy combatants); pulp romance books by Danielle Steele (another choice pick for Islamists); the complete Harry Potter series (I imagine the Prisoner of Azkaban volume hits home); some more serious works by Gabriel Garcia Marquez, C.S. Lewis, Tolkien and Charles Dickens; an assortment of religious books; and the occasional self help book like The Anxiety & Phobia Workbook.

Open Culture: The Odd Collection of Books in the Guantanamo Prison Library

Movie Posters with their original Book Titles

Schöne Idee: Filmposter mit den Titeln der Buchvorlagen. (via Reddit)